Bridget Smith: Killing Time
Two Rooms, Auckland
13 March - 5 April 2008
Killing Time is an extraordinary portrait of an un-named possum trapper who lives in the Ureweras, working in remote areas of mountainous bush. British artist Bridget Smith films him in his house in Tokomaru Bay as he talks about his livestyle and certain key personal events.
The film is rivetting as study of a ‘man alone’ type of self-reliant masculinity. The charismatic subject discusses his method of employment, his arduous lifestyle laying down lines of set traps, finding, killing, hanging and skinning the animals, as well as revealing his deterioration and eventual recovery from 245T poisoning, and misfortunes in love. He shows us his daily workout on the front-porch with 3 kg dumb-bells, talks of the satisfaction he gains from improving the lot of the bush and its birdlfe, and shows his pleasure at the companionship of his cat and from playing Christian rock music on his trusty old cassette tape player.
The warmth, sensitivity and articulate thoughtfulness of her subject is what gives Smith’s film its immense charm. The guy’s geographic isolation provides an underpinning of sadness, yet the footage of him talking in the morning light is magical. An immensely informative and surprisingly emotional experience.
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